Chris Nelck (2003,NL) grew up immersed in art, attending museums from a young age. He got admitted to the Willem de Kooning Academy at 15, initially studying photography before shifting to fine arts. His work is influenced by his Trans and Queer identity, which permeates his practice. Nelck has also studied at Kunsthøgskolen in Oslo and is known for integrating writing into his projects, often publishing texts alongside his artworks.
Nelck’s art embodies “radical openness,” a term he uses to describe his transparent approach to expressing his secrets, shame, desires, and emotions. The paintings are visualizations of Nelck’s performance piece Midas, and at the same time also the inspiration for the performance. This series delves into themes of Trans and Queer shame, transforming these experiences into acts of resistance. Inspired by Mario Mieli’s quote from Towards a Gay Communism, 1974, “I keep my treasure in my arse, but then my arse is open to everyone”, Nelck’s performances involve writing secrets in shells and burying them, reminiscent of the Greek myth of King Midas. This act symbolizes the spreading of secrets, aiming for viewers to recognize and resonate with these shared experiences.
Chris Tam Nelck
chrisnelck@gmail.com
Based in Rotterdam
chrisnelck@gmail.com
Based in Rotterdam
My face is like an open book, people have told me this repeatedly throughout my life. My emotions are upfront and my features articulative.
I frown without thinking and smile without knowing.
My practice is very much the same. In my art I am open and upfront. My secrets, shame, desires and emotions are for everyone to see when I choose to. I call this radical openness. Radical openness for me, is a way of activism. When painting, I often feel like I am building bridges between me and the viewer. My paintings make it possible for me to feel at peace while sharing personal and intimate emotions. They are hairy and vulnerable. Powerful and fragile.
Education:
2020 - 2024 Willem de Kooning Academy, Fine Art (Cum Laude)
2023 Exchange Program, Oslo National Academy of the Arts (Kunsthøgskolen i Oslo), Norway
2018 Preliminary program of the Willem de Kooning Academy
Solo Exhibitions:
2025 Duivennest, Hillevliet, Rotterdam
Group Exhibitions:
2025 Flambeed Cherries, Kunstliefde, Utrecht
2024 Destillaat #26, Extrapool, Nijmegen
2024 Together for Free, Brutus, Rotterdam
2024 Best of Graduates, Ron Mandos, Amsterdam
2024 Graduation Show, Willem de Kooning, Rotterdam
2022 Inside Outside, Time Is The New Space, Rotterdam
2021 Re, Re, Re, Ijzerblok, Rotterdam
2021 Identity Talks, Rotterdam
Residenties:
2025 De Belofte, Kunstliefde, Utrecht
2025 B-Sides Residency, Hocus Bogus Publishing, Rotterdam
2024 Destillaat #26, Extrapool, Nijmegen
Performances/events:
2025 Goblin Feast: the end of the World, Wasteland Festival, Rotterdam
2025 Goblin Feast: Filth Extravaganza, Poortgebouw, Rotterdam (performance)
2025 Book Launch: Eden, Burgertrut, Rotterdam
2025 Goblin Feast: Snack de la Snack, Worm, Art Rotterdam (performance)
2025 Goblin Feast: Devilled Egg Competition, Hillevliet, Rotterdam
2024 Spookstad Duivennest, Extrapool, Nijmegen
2024 Goblin Feast: Rituals, Roodkapje, Rotterdam
2024 Goblin Feast: Animals, Roodkapje, Rotterdam
2023 Goblin Feast: Halloween Edition, Roodkapje, Rotterdam
2023 May I Never Have A Penis, Roodkapje, Rotterdam (performance)
Publications:
2025 Eden
2025 Reading My Panties Issue 02: Queer Pillow Talk (featuring text)
2024 Oester Catalogus
2024 Shame Manifesto
2023 Capital g god Lower Q Queer
2022 ACAB: Ailie & Chris Are Beautiful
2022 Sint Antonius
2021 Identity Talks
2021 Community Sculpting
Workshops:
2023 On Queer Speculative Fiction, Skeiv Ungdom, Norway
2022 Queer Live Drawing Session, Rotterdam
2021 Community Sculpting, Roodkapje, Rotterdam
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Duivennest --- 2025
For Duivennest I nestled in the Pink Room next to my (ex)studio. This work has been inspired by and made specifically for this abandoned classroom. How perfect this space is for a bird nest! With big vents leading through the building, a roof that’s falling apart, connected to a tower. I imagine countless pigeons making a headquarters here, scuffing around, shitting everywhere, but instead it’s empty, not being used at all.
Spookstad Duivennest is an ongoing project, which started during my residency at Extrapool, Destillaat #26. It is my way of dealing with my current housing insecurity and the inability to nestle. Everything goes fast, faster and fastest in this big city, nothing feels permanent anymore. How does one make a home, if you are not sure of how long you can stay?
This is where I feel a deep connection with pigeons. They’re terrible at building nests, they throw some sticks and some tie wraps on the ground and lay their eggs. And it works, it is perfect for their environment. Imagine building a beautiful nest, just to get shooed off a balcony again. My belongings are still unpacked and in boxes, it took me months to hang some things on the walls. I feel like I made myself a pigeon nest in order to survive.
As an artist I’ve inhabited countless strange spaces. My first studio was an old healthcare building, where stairways were equipped with suicide nets, my second studio was a house, with traces of ghosts from the families who lived there for years, the list goes on. Never have I been in a spot doing what is supposed to be happening in the space. I walk the hallways of this old school building and imagine what scenes took place before it got left behind to us.
Goblin Feast: Devilled Egg Competition -- 2025
As part of Duivennest and in collaboration with @goblins_feasting, we’re hosting a Devilled Egg Competition!! 🏆 Bring your most delicious, strange, beautiful or ugly devilled egg. They will be judged by the one and only Eggspert @paul_smullenberg ✨🫶
𝒀𝒐𝒖 𝒄𝒂𝒏 𝒂𝒄𝒉𝒊𝒆𝒗𝒆 𝒑𝒐𝒊𝒏𝒕𝒔 𝒇𝒐𝒓:
🪺Presentation🪺
👅Taste👅
👹Gobliness👹 (bonus point)
And remember: life is all about eggs-perimentation🫶
Spookstad Duivennest --- 2024
There are 10.000 pigeons in Rotterdam and 12.000 empty buildings.
Spookstad Duivennest is an ongoing project, which started during my residency at Extrapool, Destillaat #26. It is my way of dealing with my current housing insecurity and the inability to nestle. Everything goes fast, faster and fastest in this big city, nothing feels permanent anymore. How does one make a home, if you are not sure of how long you can stay?
This is where I feel a deep connection with pigeons. They’re terrible at building nests, they throw some sticks and some tie wraps on the ground and lay their eggs. And it works, it is perfect for their environment. Imagine building a beautiful nest, just to get shooed off a balcony again. My stuff is still unpacked and in boxes, it took me months to hang some things on the walls. I feel like I made myself a pigeon nest in order to survive.
